How are Richard Wagner's operas shaped by his interest in philosophy? How can Immanuel Kant's vision of the human condition inform our understanding of Tristan und Isolde? Can the same interpretation be applied to Der Ring Des Nibelungen? How does that alter our understanding of the moral framework of the opera? And what are we to make of Wagner's last opera, Parsifal, which Nietzsche described as "a secret attempt to poison the very presuppositions of life"? Does Parsifal represent a rejection of the moral spheres of Tristan and the Ring, or can we arrive at a more subtle interpretation of it?
Philosophical Conversations - Sarah-Jane Leslie, Professor of Philosophy at Princeton University, conducts interviews with some of the world's leading philosophers through her association with the Marc Sanders Foundation. In this interview Professor Leslie meets with Professor Roger Scruton to discuss philosophical issues in Richard Wagner's operas.
